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| sdiy:electrical_std [2026-04-26 Sun 19:18] – theorytoe | sdiy:electrical_std [2026-04-26 Sun 19:41] (current) – theorytoe | ||
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| and CV signals usually being unipolar (0V to 10V) or bipolar (-5V to +5V) DC signals. Additionally, | and CV signals usually being unipolar (0V to 10V) or bipolar (-5V to +5V) DC signals. Additionally, | ||
| CV and Audio signals in theory can mix, but usually don't (unless the wave is a simple waveform). | CV and Audio signals in theory can mix, but usually don't (unless the wave is a simple waveform). | ||
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| + | ===== Output ===== | ||
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| + | Inter-synth lines have 10Vpp out with 1k impedance, whilst line level is 3Vpp ish with 600R-800R impedance. | ||
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| + | Generally, line-level signals sit in the middle of the hierarchy of signal levels in audio engineering. There are weaker signals, such as those from microphones (Mic Level/ | ||
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| + | [{{electrical_std-20260426-193421.png? | ||
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| + | A line level describes a line's nominal signal level as a ratio, expressed in decibels, against a standard reference voltage. The nominal level and the reference voltage against which it is expressed depend on the line level being used. While the nominal levels themselves vary, only two reference voltages are common: decibel volts (dBV) for consumer applications, | ||
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| + | The decibel volt reference voltage is 1 VRMS = 0 dBV. The decibel unloaded reference voltage, 0 dBu, is the AC voltage required to produce 1 mW of power across a 600 Ω impedance (approximately 0.7746 VRMS). This awkward unit is a holdover from the early telephone standards, which used 600 Ω sources and loads, and measured dissipated power in decibel-milliwatts (dBm). Modern audio equipment does not use 600 Ω matched loads, hence dBm unloaded (dBu). | ||
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| + | ^ Use ^ Nom. Level (dB[x]) ^ Nom. Level (Vrms) ^ Peak Amplitude (Vpk) ^ Peak2Peak (Vpp) ^ | ||
| + | | Professional | +4 dBu | 1.228 | 1.736 | 3.472 | | ||
| + | | Consumer | ||
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| + | As cables between line output and line input are generally extremely short compared to the audio signal wavelength in the cable, transmission line effects can be disregarded and impedance matching need not be used. Instead, line level circuits use the impedance bridging principle, in which a low impedance output drives a high impedance input. A typical line out connection has an output impedance from 100 to 600 Ω, with lower values being more common in newer equipment. Line inputs present a much higher impedance, typically 10 kΩ or more. | ||
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